Last month was particularly rich in regards to Syrian music and singing in America. Four different groups performed at various venues across America with unanimous critical acclaim. The al-Kindi ensemble of traditional oriental music performed at the Eisenhower Theatre of the Kennedy center, whereas the group led by Kinan al-Azmeh presented modern jazzy music, mainly composed by Kinan himself, at the Millennium Stage of the same center.
However, the two major events were those of the Farah children’s choir that won the hearts of large audiences in three different states, and the concert presented by six Syrian artists from the National Symphony Orchestra who performed with the Pacific Symphony Orchestra in California hosted by their conductor Carl St. Clair at the Sogerstorm Concert Hall.
The music critic of the Orange County Register wrote approvingly: “Music director Carl St.Clair invited members of the Syrian National Symphony Orchestra, including its conductor, as well as Syrian folk musicians to take part in an "Arabian Nights" program. The government of Syria, of course, is officially considered not one of this country's best pals. But music will make friends. Thursday's concert unwound as a leisurely exploration of traditional Arab music and instruments, heard in the plush context of symphony orchestra accompaniment. The Syrian musicians were welcomed warmly by the audience and seemed pleased by the reception, sending plenty of warmth back.”
The concert included pieces played by virtuoso soloists and conducted by Missak Baghbadourian, as well as a concerto written by the talented Syrian composer Zaid Jabri and conducted by Mark St. Clair. Firas Shahrestan played Vivaldi’s Four Seasons on the Qanoun, Mussalam Rahal played Shafi Baddredin’s Concerto for Nai and String Orchestra, Mouhammad Osman presented on his buzuk Muhamad Abdul Rahim’s Tango for Buzuk and Strings.
The doyen of classical music in Syria, the late Solhi al-Wadi was not absent from this concert. His orchestral piece "Meditation on a Theme by Muhammad Abdul Wahhab" was presented. The piece was described by the Orange County Register as "glitzy, lush and romantic." Presenting music by Solhi al-Wadi was particularly laden with emotions. Al-Wadi was not only the founder of the Syrian National Symphony Orchestra, but he also toured California with his orchestra fifteen years ago, and performed with his young Syrian musicians in Orange County. The biggest surprise for the evening was the composition of Zaid Jabri for clarinet, cello and orchestra. Kinan Azmeh played the clarinet solo part, while Kinan Abu Afash played the cello part. Once again, the young Zaid Jabri is proving himself to be the finest musical talent from Syria on the world scene at present. His “Oriento Grosso” uses modern discords and a contemporary idiom within an Arabic musical context to produce a strong captivating work with a powerful dramatic overtone.
